That sleuth is Charlie Cale (Natasha Lyonne), a scrappy underdog with an uncommon expertise: she is ready to inform when one thing is mendacity. How is she in a position to do that? She doesn’t know, she simply efficiently susses out lies 100% of the time. Whereas this capacity is spectacular, it’s additionally not as helpful as one may suppose. As Charlie mentions through the sequence’ pilot, folks lie about even the smallest of issues so regularly that it’s exhausting to find out what they’re mendacity about within the first place. Moreover, the methods through which this capacity may very well be helpful (like say, playing) typically find yourself being extra hassle than their value. To that finish, Charlie leaves her Nevada dwelling behind and takes to the street and the place she encounters a various array of murders that require her personal lie detector model of deduction.
For Poker Face co-creator, producer, and director Rian Johnson, Charlie’s journey across the nation to search out circumstances of the week is consistent with the geographically various legacy of basic detective dramas like Columbo.
“That was something baked into the DNA of the show from the beginning,” Johnson tells Den of Geek. “Doing that Columbo or even Quantum Leap thing of having every episode be an anthropological deep dive into a little corner of America that you might not otherwise see.”
If anybody would know the appeals of case-of-the-week Columbo-style storytelling, it’s Rian Johnson. Although Johnson has some spectacular TV credit in his resume (together with the “Fly” and “Ozymandias” episodes of Breaking Bad), movie is the place the writer-director has made his hay. Recognized for crafting motion pictures like Brick, Looper, and Star Wars: Episode VIII – The Last Jedi, Johnson’s most up-to-date efforts have been hardboiled detective tales starring Daniel Craig because the indelible (and nearly unintelligible) Benoit Blanc. Knives Out launched the Blanc franchise with a homicide thriller surrounding a squabbling wealthy household in 2019 and was simply adopted up by tech world whodunnit Glass Onion on Netflix final 12 months.
Along with creating homicide mysteries, Johnson is a giant fan of them. That’s why when the director and his good friend turned Poker Face co-creator and star Natasha Lyonne put their heads collectively to collaborate on a challenge, one thing in a beige raincoat got here tumbling out.
“I went to her with just the biggest idea of ‘I think we should do a case of the week show with you at the center of it,’ and that was it,” Johnson says. “As a collaborator and as a friend, it’s been a joy. She is as advertised – like everything you would imagine she is. She’s got this crazy, insane, amazing brain.”
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